So you’ve spent months trying to wrap your head around digital color spaces and have finally been dragged, kicking and screaming, but mostly screaming, into an ACES-compliant workflow. Eventually, you think you’ve finally got it, and all the colors just *look the same* regardless of which bit of software you’re using or which stage of the pipeline you’re at. Yay!
Tag: reference
ACES Workflow: Redshift to Resolve
In 2021, around version 3.point.something, Redshift changed its default color space from what it called “scene-linear Rec.709-sRGB” to ACEScg. If you’re using DaVinci Resolve to muss with your newly ACES-compliant Redshift EXRs, then you need to change your color settings.