So you’ve spent months trying to wrap your head around digital color spaces and have finally been dragged, kicking and screaming, but mostly screaming, into an ACES-compliant workflow. Eventually, you think you’ve finally got it, and all the colors just *look the same* regardless of which bit of software you’re using or which stage of the pipeline you’re at. Yay!
In 2021, around version 3.point.something, Redshift changed its default color space from what it called “scene-linear Rec.709-sRGB” to ACEScg. If you’re using DaVinci Resolve to muss with your newly ACES-compliant Redshift EXRs, then you need to change your color settings.
The discourse around digital color is complex and confusing. If you care about color at all and you work in digital, you should probably spend at least a whole day of your life on The Hitchhiker’s Guide to Digital Colour, which gives several messianic fucks about making this difficult stuff clearer.